Heart of the beholder5/1/2023 ![]() ![]() In the world of science and technology the intricacies of machines, and computers, aeroplanes and cars, great ships and factories that allow us to move around the world, and which bring us all that our heart desires. What of a mother caring for her child, attending to grazed knee, wiping away the tears, setting him back on his feet? Here is beauty indeed.Īnd in the world of creativity and invention what of a piece of beautiful music that uplifts the hearts and nourishes the minds of the audience and the players alike? What of a painting that presents to us a view of the world that surprises and delights? Or a poem or novel that opens a door to intriguing places and allows us to experience emotions and ideas in a fresh way? Here also we find great beauty. The flower displays its beauty and its radiance to whomever happens upon it, without any judgment or any wish for anything in return.Īnd we can move further beyond the physical to beautiful behaviour and actions. ![]() In a subtle and magical way, it is also generous. The sun dappled rose is a thing of beauty. It certainly includes the physical beauty of a handsome person, a harmoniously designed building, an expertly executed work of art, a finely crafted piece of jewelry.īut this full description of Beauty, derived from Sanskrit, with its inclusion of nobility and generosity and love and splendour, takes us beyond the merely physical. This gives us a very full description of Beauty. We can combine the meanings of these three words and say that Beauty is lovely, graceful and elegant, and also noble and generous, it is beloved, and it shines and radiates splendour. Saundarya (सौन्दर्य) which means graceful, elegant and lovely, and also refers to noble conduct and generosity Chārutā (चारुता), which carries a sense of loveliness, and of that which is agreeable and beloved and finally, Shobhā (शोभा) which relates to brilliance, lustre and splendour. Sanskrit has several words for Beauty that fill out our understanding. Considering dyadic attraction within and between groups, and the use of componential analysis permitted the specification of new IA phenomena and resolved a long standing theoretical problem regarding the reciprocity of attraction.So what is that Beauty, that we see around us, and that we experience as part of our own being? Perceived interpersonal similarity predicted IA among individuals and in specific dyads. Meta-accuracy of IA was observed among individuals but was weak in dyads. Reciprocity of attraction at the individual level, a heretofore unconfirmed "plausible hypothesis" (Newcomb, 1979), was supported dyadic reciprocity was weak. ![]() Assumed reciprocity of IA was substantial at the individual and dyadic levels. A new model (ARRMA) was specified to simultaneously study assumed reciprocity, actual reciprocity, and metaperception accuracy of attraction (i.e., accurate predictions of others' attraction to oneself). Attraction to a person in one group was independent of attraction to that person in another, although people predicted that members of different groups were similarly attracted to them. The consistency of one's attraction to others and others' attraction to the person across groups were addressed using the key person design. IA was determined by the perceiver (i.e., the heart of the beholder), the target (i.e., the heart of the beheld), and in specific dyads, by the unique combination of the two. Dyadic interpersonal attraction (IA) was studied within groups of very highly acquainted family members, friends and co-workers.
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